Amidst the divided opinions of internet naysayers and tweets dismissing it as fictional, Chhaava stands apart. Unlike previous Maratha Empire films that strayed into love stories and historical inaccuracies, this one sets the record straight. It finally gives Chhatrapati Sambhaji Maharaj the long-overdue recognition that history books failed to.
Directed by Laxman Utekar and produced by Dinesh Vijan under Maddock Films, Chhaava (Lion’s Cub in Maharashtrian Language) is an adaptation of Shivaji Sawant’s Marathi novel. It stars Vicky Kaushal as Chhatrapati Sambhaji Maharaj, Rashmika Mandana as Maharani Yesubai Bhonsale and Akshaye Khanna as Aurangzeb in pivotal roles. Alongside them, an equally compelling supporting cast adds depth to the narrative. Vineet Kumar Singh as Kavi Kalash, Divya Dutta as Soyarabai Bhonsale, Ashutosh Rana as Hambirrao Mohite and Diana Penty as a Mughal Princess, among others, deliver potent performances to keep you hooked to the story.
The Film at a Glance
“Hindavi Swarajya,” a vision set by Chhatrapati Shivaji Maharaj (founder of the Maratha Empire), embodies self-rule. This idea lets Hindus live with dignity, free from oppression or forced conversion. Shivaji fought fiercely against the Mughals, never backing down or defeated. But after his untimely death, the Mughals rejoiced, thinking the Maratha Empire would crumble. Little did they know, the lion’s cub was ready to roar.
The film traces the resilient journey of a young Sambhaji, who bravely takes charge of the empire, refusing to bow down to the Mughals. His rise and fall, the internal conspiracies, betrayal, trials, and tribulations, first as a prince and then as a Raje (King), make the movie an emotional and inspirational watch. Despite enemies within and outside the empire, he united the Marathas and fought relentlessly to keep his father’s vision alive. Over nine years, he led and won 127 battles, frustrating Aurangzeb, who could never capture him no matter how much he tried. Through it all, his wife, his Shri Sakhi, Maharani Yesubai, stood by him, unwavering in her support and commitment to the empire.
Direction, Cinematography and Storytelling
Laxman Utekar’s direction brings the Maratha grandeur and history back to life. The film beautifully recreates the essence of the 17th-century Deccan. Expansive shots of majestic forts, intense battle sequences, intricate Maratha architecture, and royal court settings make you feel immersed in that era. The attention to detail in costumes and jewellery adds to the film’s authenticity. Sambhaji’s royal attire, legendary sword, and ornaments reflect his warrior spirit and commanding presence. Maharani Yesubai’s look feels just as true to history. Draped in elegant Paithani, Nauvari, and Narayanpeth sarees and adorned with Lakshmi Haar, Kolhapuri Saaj, Nath, and Mohan Mala, she exudes royalty with grace and strength.
The film starts on a promising note, preparing you for the blood-soaked saga ahead. It instils a sense of pride and admiration for history. However, a story about Sambhaji Raje feels incomplete without a deeper dive into his formative years—his teenagehood, brilliance as an administrator, and mastery of multiple languages as a scholar.
In the second half, the battle sequences feel abrupt, lacking clarity on where and how they unfold. Soyarabai (Sambhaji’s stepmother) starts off strong, but her character arc is suddenly cut short. Diana Penty’s role as a Mughal princess is left open-ended, leaving the audience to interpret her significance. While the direction keeps the narrative gripping, some performances feel surface-level. A more detailed approach could have made it a complete biopic.
But the last 30–40 minutes make up for it all. The climax leaves you teary-eyed, angry, heavy-hearted, and filled with immense respect for Chhatrapati Sambhaji Maharaj.
Performances
Take a bow, Vicky Kaushal! He delivers a powerful performance as the king. His dedication, commitment, and deep involvement shine through in his action-packed and nuanced acting. Rashmika Mandanna’s expressive, kohl-lined eyes depict the emotional depth and grace of a queen in turmoil. Her dialogue delivery and adaptation to the Hindi dialect have noticeably improved.
Akshaye Khanna has fewer dialogues, but his ruthless presence, commanding walk, and piercing gaze add weight to the film. The review would be incomplete without praising Vineet Kumar Singh as Kavi Kalash or Chandogamataya (Pinnacle of Poets), as his Raje calls him. His fierce loyalty and heartfelt verses make his performance unforgettable.
Dialogues
The soul of every movie lies in its writing, and the scriptwriters of Chhaava deserve all the credit. The scenes could strike a chord with the audience because of their impactful writing. They leave you speechless. Some of the best dialogues from the movie are “Sher nahi raha lekin Chhaava abhi bhi jungle mein ghum raha hain”, “Tum namak nahi, Chandan ho…Tum tilak humare mathe ka”, “Vishwas aapka saath hai, toh yudh lage tyohar”, “Namo parvati pataye.. Har har Mahadev”, “Jagdamb”.
Music
The background score composed by A. R. Rahman fails to add fuel to the fire. Tracks like “Chhavva Title Theme” and “Aaya Re Toofan” start energetically but lose momentum halfway. “Jaane Tu” has been widely loved by all.
Should you watch this movie? Absolutely!
This movie has everything a cinema lover craves—action, drama, love, and a thrilling battle for the throne. But beyond the spectacle, it leaves you with a deep sense of pride, honour, and renewed respect for history and culture. It is not one to watch on OTT; it is a must-experience in theatres.
